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One of the most exciting finishes in the long history of the Preakeness.
One of the most exciting finishes in the long history of the Preakeness.
At long last, the field of 68 teams for the 2012 men's NCAA basketball tournament has been revealed. It's time to print your brackets and get started distinguishing the unheralded Cinderella squads who will be wearing glass high tops from those high-profile pretenders who don't have what it takes to navigate the madness of March.
Click HERE for a printable 2012 NCAA tournament bracket!
With the conclusion of various conference tournaments, the selection committee weighed the merits of all teams hoping for a ticket to the dance and burst the bubbles of those not deemed worthy. The field is revealed and the brackets are being printed (CLICK HERE) and we're just days away from the entire nation being overwhelmed by March Madness.
Kentucky, Syracuse, North Carolina and Michigan State claimed the No. 1 seeds, with the Wildcats earning the top overall seed after completing a dominant 32-2 season out of the SEC. Although coach Cal's 'Cats were upset by Vanderbilt in the final of the SEC Tournament there is no doubting their dominance over the long haul of the season.
The four first round games -- popularly referred to as the play-in games -- will be contested on March 13 and 14 in Dayton and the full-fledged wall-to-wall chaos will begin with the second round on March 15-16. The third round will run through the 17 and 18, while the Sweet 16 and Elite Eight games will go through the 22-25.
The 2012 Final Four will take place in New Orleans at the Mercedes-Benz Superdome and the national semifinals will tip off on March 31 with the championship game to be played on April 2.
Scroll down to check out the seeds.
MIDWEST
1. North Carolina
2. Kansas
3. Georgetown
4. Michigan
5. Temple
6. San Diego State
7. St. Mary's
8. Creighton
9. Alabama
10. Purdue
11. NC State

Chicago Bears' Jim McMahon (9) is shown during action against the Minnesota Vikings in Minnesota, Nov. 28, 1982.
The long debate over the National Football League’s handling of concussions is reaching the courts in a flurry of lawsuits, raising the possibility that dozens of former players will go before juries to outline the league’s medical practices and describe long-term cognitive problems they say were caused by the sport.
More than a dozen suits, filed since July on behalf of more than 120 retired players and their wives, say that the N.F.L. and in some cases helmet manufacturers deliberately concealed information about the neurological effects of repeated hits to the head. Several suits also say that even if the league did not know about the potential impact of brain trauma sustained on the field, it should have known.
Taken together, the suits filed in courts across the country amount to a multifront legal challenge to the league and to the game itself. While the retired players, including stars like Jim McMahon and Jamal Lewis, face a time-consuming and difficult battle, the N.F.L. will have to spend heavily on lawyers to fend off the chance that juries might award the retired players millions of dollars in damages.
The league must also grapple with unflattering publicity as former players claiming to be hobbled by injuries and, in some cases, suffering from financial problems sue their former employer, the steward of America’s most popular sport. The stakes will only get higher if any of the cases go to trial, where details may emerge about what the N.F.L. knew about concussions and when, how it handled that information, and whether it pushed manufacturers to make the safest helmets possible.
“I don’t think the N.F.L. can consider these cases nuisances,” said Mark Conrad, who teaches sports law at Fordham University. “They will take them seriously because if it goes the wrong way, it could be a bombshell.”
The N.F.L. is no stranger to the courts. In the past few years, it has tangled over merchandising, drug testing and antitrust exemptions. But those issues were largely alien to the average fan and barely slowed the league’s primary mission to put on games.
The notion of retired players telling a jury the league is at least partly liable for their dementia and other cognitive disabilities is an entirely different matter, legal experts say, because the players’ testimonies are bound to get a sympathetic audience and cast a shadow over the league.
“We believe that the long-term medical complications that have been associated with multiple concussions — such as memory loss, impulse anger-control problems,disorientation, dementia — were well documented, and that factually the N.F.L. knew or should have known of these potentially devastating neurological problems, and yet it didn’t take any active role in addressing the issue for players,” said Larry Coben, who represents seven retirees, including McMahon, the quarterback who helped lead the Chicago Bears to a Super Bowl victory in 1986.
Brad Karp, an outside counsel for the league, said: “The N.F.L. has long made player safety a priority and continues to take steps to protect players and to advance the science and medical understanding of the management and treatment of concussions. The N.F.L. has never misled players with respect to the risks associated with playing football. Any suggestion to the contrary has no merit.”
A trial is not imminent, however, and may never occur, legal experts said. The league will try to get the cases dismissed, they said, and the former players must hope a judge will allow the cases to proceed.
In a sign of the high hurdles facing the retired players, the league has successfully convinced at least one federal judge that any claims by the players should be handled under the collective bargaining agreements that they signed during their N.F.L. careers.
The retired players, naturally, disagree. They argue that as retirees, they are no longer party to those collective bargaining agreements and that only since they stopped playing did they unearth evidence that they were not adequately warned of the dangers of concussions.
The debate over this issue may be settled in Philadelphia after the league and many of the plaintiffs ask the Judicial Panel on Multidistrict Litigation, a federal board, to combine all the cases and move them to federal court in the Eastern District of Pennsylvania. The N.F.L. prefers this approach because it allows its lawyers to focus on a single case that will produce a single resolution, and reduce the possibility of inconsistent rulings by different judges.
Assuming the players can persuade a judge to let their case go forward, they will most likely argue that the N.F.L. rejected widely accepted science on head trauma for years, and that the league’s doctors produced research that later was found to be severely flawed.
Several suits note that in 2007, the league distributed a pamphlet to players that said, “Current research with professional athletes has not shown that having more than one or two concussions leads to permanent problems if each injury is treated properly.” The league left open the question of “if there are any long-term effects of concussion in N.F.L. athletes.”
The cases also note that in October 2009, Roger Goodell, the commissioner of the N.F.L., was criticized by lawmakers for neglecting the league’s handling of active and retired players with brain injuries. A month later, the two directors of the N.F.L.’s committee studying concussions who were accused by the retired players of whitewashing the issue stepped down.
Only last year, the retired players say, did the N.F.L. begin alerting current players to the long-term effects of concussions. One poster created by the league used words like “depression” and “early onset of dementia.” Another document warned players that repeated concussions “can change your life and your family’s life forever,” a nod to retired players’ wives who have spoken out on the issue.
The league, though, is expected to point out that these publications are part of its continuing efforts to care for players, and that the league provides medical benefits for retired players. The league will also argue that the players knew that the sport was dangerous when they played and yet they did not stop.
“The N.F.L. will try to convince the court that the game is inherently risky,” said Matthew J. Mitten, the director of the National Sports Law Institute at Marquette University. “There is this warrior mentality in the N.F.L. where you play through pain.”
A far murkier obstacle for the players is proving that the concussions they sustained in the N.F.L. caused their current health problems. It will be difficult to prove that any impairment is not a result of head trauma sustained while playing in high school and college.
“The proof problems will be enormous,” said Paul Haagen, the co-director of the Center for Sports Law and Policy at Duke University. “Everyone who has played in the N.F.L. has played in the lower levels and suffered some injuries that are consistent with these.”
The retired players may also have difficulty proving the league deliberately hid information from them. Even if they do, legal experts said, the league will point to the rule changes it made to outlaw spearing and other dangerous practices involving helmets, and the millions of dollars it has spent over the years to study head trauma.
“The problem is there isn’t necessarily a smoking gun,” said Robert Boland, who teaches sports law at New York University. “The N.F.L. will say we found out about it when you did, and we never saw this kind of damage before.”
Copyright. 2011. The New York Times Company. All Rights Reserved

Michael Bay’s “Transformers: Dark of the Moon” touched off a debate in film-blogger circles: does this assaultive approach to action-film-making signal the coming annihilation of narrative logic? Or the emergence of a visual grammar that’s 2 fast and 2 furious for fusty old movie grumps to understand? In a much-passed-around video essay, the critic Matthias Stork even gave this aesthetic a name: Chaos Cinema.
I kept flip-flopping on Chaos Cinema. On one hand, I’m philosophically opposed to any standard of movie quality that penalizes filmmakers for letting music videos and video games shape their way of seeing; on the other hand, I’m morally opposed to Michael Bay. I’m now convinced, however, that the only thing wrong with Chaos Cinema is that nobody has taken it far enough. I feel that way because of the trailer for “2016,” a possibly nonexistent sci-fi movie from Ghana. In the 30-second clip, a crudely-rendered C.G.I. version of the alien from “Alien” fights humans and a Terminator! A cellphone explodes! A person explodes! The alien throws a car! Something goes wrong in a lab! The alien kicks a baby like a football!
The standard knock on Chaos Cinema filmmakers is that they’re constructing narratives entirely from rupture and collision. But if movies are going to go there, they should really go there. Let’s stop asking directors who clearly have no affinity for story or character to pretend otherwise. Instead, let’s let the alien kick the baby, and see how far the baby will fly.

In “The Future,” Miranda July’s character has an affair with a man, played by David Warshofsky, who wears a thin gold chain around his neck. Normally, a gold chain is a reliable cinematic signal that says “mobster” or “disco enthusiast” or “generic downmarket cheesy tough guy” — the most recent example, perhaps, being Christian Bale in “The Fighter.” But Washofsky’s character is not the type you’d normally imagine would wear such an accessory. He’s a middle-aged, practical-minded man who lives in a house with carpeting and tends to dress like your dad. And the chain isn’t obvious; you barely glimpse it at first under his shirt. Which is exactly what made the gold chain the perfect touch: it isn’t meant to signify his whole character, just the most subtle, unexpected part of it.

If you want to be literal, then the action film “Hanna” is about a child assassin fleeing the government agents who created her, specifically Marissa Wiegler, played by Cate Blanchett as, more or less, George W. Bush in a dress. But that reading misses the sinister, tainted-fairy-tale spirit of the film, with Wiegler as the movie’s deliciously wicked queen: a pearl-necklace-wearing menace with a strawberry bob and a Southern drawl, who flosses her teeth so hard as to draw blood. She fears and loves and seeks to devour the young Hanna with equal fury, all of which is made manifest in the film’s best image: during a chase scene through an abandoned amusement park, Wiegler emerges from a tunnel shaped like the jaws of a giant wolf, her eyes flaring and pistol drawn, the star of a primal nightmare served up in primary colors.

This summer, two movies told the tales of precocious children defending their corners of the Earth from alien invasion. One you probably heard about — “Super 8,” directed by the Spielberg-approved auteur J. J. Abrams — and one you maybe didn’t: “Attack the Block,” a movie produced by Edgar Wright (“Shaun of the Dead”) about a group of teenage hoodlums and a female nursing student, all living in a British housing project, who come together to repel an alien blitz from outer space. Whereas “Super 8” relied on bombastic special effects and incipient dawn-of-the-’80s nostalgia to tell an overly familiar story (suburban kids forced to grow up fast after an amazing encounter), “Attack the Block,” on a fraction of the budget, delivered a sharp and poignant message on race relations, the spiral of urban violence and the understanding that can blossom when we’re forced to forget our divisions and band together, simply, as humans. “Super 8” wanted badly to be “E.T.” crossed with “Cloverfield.” Instead, it should hope to be “Attack the Block” when it grows up.
“The Green Hornet” won’t be remembered as the director Michel Gondry’s greatest film. But it did feature arguably the year’s most jaw-dropping action sequence. The villain Chudnofsky tells a henchman to spread the word of a bounty on the Green Hornet’s head. We watch in wonder as the news, tracked by multiple cameras in seamless shots, seeps across the L.A. underworld. The henchman tells two killers in cocktail dresses, and the screen splits to follow them; they each tell two compatriots, and the screen splits again. And so on. It’s an exponential expansion of Gondry’s antics in the music video for Cibo Matto’s “Sugar Water,” and a reminder that, even fighting mediocre material, Gondry can often find a way to surprise and delight.
Imagine what would happen if you took a comic-book-store clerk and a tattoo artist who only inks faces, locked them in a GameStop with a possession-with-intent-to-distribute supply of Ecstasy and told them they couldn’t come out until they came up with a treatment for “Girl Interrupted” meets “Inception” but more virginal-schoolgirl-creepy.

1. So maybe the world wasn’t ready for a car-chase movie that was so short on actual car-chasing. But maybe that’s the whole point! You have to love a car-fetish movie that steers into the Los Angeles River — that famous storm drain that has backdropped auto-action set pieces in everything from “Grease” to “Terminator 2,” not to mention “Grand Theft Auto: San Andreas,” the video-game antecedent to “Drive” — just so the characters can find a sun-dappled glade to picnic in.
2. “Drive” is the year’s best long-form music video. That score! Ambient murder-drone and wineglass-rim whine, plus some mid-2000s electro-disco (that is itself totally “Take My Breath Away”-era ’80s), all throbbing like a big flamingo-pink neon heart. Throw the soundtrack on your iPod, and you’re instantly a wounded warrior with an intense Zen internal monologue, even if all you’re doing is walking to the corner deli to buy dish soap. I don’t plan menus. I don’t cook. I wash up.
3. “Drive” is the year’s best “Batman” adaptation. “I just felt like I wanted to make a superhero movie, too,” Ryan Gosling told The Times back in May, and while “Drive” isn’t based on an actual comic book (the best comic-book movies never are), you can imagine the graphic novel anyway — some elliptical take on the usual urban-vigilante canned ham, with lots of inkpot blood-spatter, black space in the gutters between panels instead of white and “For Mature Readers” plastered on the cover, not to warn people away but to lure them in.
4. “Drive” is the year’s best men’s-fashion movie. That Filson overnight bag. Those plastic aviators. And that scorpion jacket around which a thousand Halloween costumes took shape. Gosling is running from the mob, but he looks as if he’s hoping to run into the Sartorialist.
5. That elevator scene. Not for where it goes but for how it starts. Gosling gets between Carey Mulligan and the hitman, shielding her from him and from the camera, from us. When the light from the wall sconce hits her, it’s the only moment when Mulligan gets to look prettier than Gosling; when they kiss, it’s Gosling’s most movie-kiss-like movie kiss since “The Notebook,” an MTV Movie Awards Best Kiss winner in 2005. What do you want to bet that’s not the only award “Drive” is robbed of next year?
6. Also, that mask! Very Uncle Fester, very “Total Recall.” Very Leatherface, too, even before you know Gosling’s wearing it to get in the proper headspace for a rampage. “Drive” tools around the underpopulated industrial borderlands among half a dozen genres, at least — like Albert Brooks’s avuncular crime-boss character, it gets Chinese food delivered to a pizza place, aesthetically. But the director Nicolas Winding Refn has said that “The Texas Chain Saw Massacre” was the movie that made him want to make movies, and slasher-flick horror is a major spice in the chili of “Drive.” Until it becomes the meat.
7. The mask is also crucial to my dumbest “Drive” theory, which is that “Drive” takes place in the same universe as last year’s best guy-drives-around-L.A.-not-talking-much movie, Sofia Coppola’s “Somewhere.” There’s a scene in that film in which Steven Dorff — playing an actor sentenced to spend eternity bored in the Chateau Marmont — has a rubber mold made of his head, and he has to sit for what feels like an hour of screen time all gooped up in a metaphor for the way celebrity mummifies the living. We never see what happens to Dorff’s mask. I like to believe a stuntman stole it.

The Avon Theater in Stamford, Conn., famously posted a sign warning customers this summer that there would be no refund for those seeing Terrence Malick’s “Tree of Life.” Apparently disgruntled walker-outers had been wondering what a 139-minute film about the Big Bang, dinosaurs, Sean Penn, a dead kid and a wrinkled Brad Pitt had to do with their Saturday-night entertainment. Their first mistake was that they went in expecting to see a movie; “The Tree of Life” wasn’t really a movie at all.
In fact, at different points this year, that same warning sign might have been posted outside screenings of “Meek’s Cutoff” (settlers on a Sisyphean journey across the Oregon Trail) or “The Mill and the Cross” (a live-action restaging of details from Pieter Bruegel’s painting “The Way to Calvary”). These nonfilms formed a three-pointed constellation of excellence in the cinematic sky. They also helped touch off the great “cultural vegetables” debate of 2011 (in the realm of film critics’ blogs, at least), in which a writer who wrote a controversial essay in this magazine was branded, essentially, as a pimp for summer schlock and Jack Sparrow.
Part of the problem was that everyone was talking about these movies as movies. The debate might be better framed like this: “Meek’s Cutoff,” in which almost nothing happens but dread, is something closer to a feature-length video installation. The tiny details of “The Mill and the Cross,” a meditation on painting, require the kind of silent scrutiny usually reserved for paintings themselves. And the dinosaurs in “The Tree of Life” weren’t in service of a story so much as they lent visual weight to the film’s experimental poetics. These three films demanded great patience but also promised great beauty in return. They weren’t vegetables or video games, or even fully films, but simply art.
Movie magic can do amazing things. Create worlds. Revive dinosaurs. Make brawny Chris Evans into scrawny Chris Evans in “Captain America.” But the one trick Hollywood still can’t pull off, apparently, is making Emma Watson look 38. Or Leo DiCaprio look 70. The second half of Clint Eastwood’s “J. Edgar” was flat-out ruined by Armie Hammer’s horrifying liver-spotted death mask. Old-age makeup: still tragically hilarious.

FIRST CORONER, during dissection of a dead person’s flu-ravaged brain: “Oh, my God. Should I call someone?”
SECOND CORONER: “Call everyone.”
“Green Lantern” release date: June 17. Tomatometer score on Rotten Tomatoes (i.e. percentage of positive reviews): 27 percent.
“The Change-Up” release date: Aug 5. Tomatometer score on Rotten Tomatoes: 24 percent.

In 2011, Adam Sandler gave voice to a sassy monkey in “Zookeeper”; played a horny plastic surgeon in “Just Go With It”; and tackled dual roles in “Jack and Jill,” as a generic dad and his grating twin sister. The weirdest part of “Jack and Jill” was how eerily interchangeable it is with the comedy sausage Sandler parodied in 2009’s “Funny People,” in which he played a millionaire comedian with a career full of junk like “Re-Do,” about a guy who turns into a baby “to realize what it means to be a man.”
Sandler has proved that he can mine his volatile boyishness for something emotionally resonant, as in ‘‘Punch Drunk Love.’’ Yet at this midcareer point, Sandler seems incapable of choosing: ambitious adult actor or farting baby- man? If the choice wereup to his accountants, it wouldn’t be a choice: ‘‘Jack and Jill’’ earned more in its opening weekend than ‘‘Punch Drunk Love’’ did in its entire run.

• A spinning beer-bottle cap
• A spinning red-white-and-blue shield
• Forty partly chewed bean buns
• Milk
• An out-of-control Lasik laser
• Brainy Smurf’s nose
• Sacha Baron Cohen’s face
• Justin Bieber’s outstretched hand
• Danny Trejo’s ejaculate
• Tiny flecks of Voldemort as he disintegrates
• A warthog
“Season of the Witch”
“Drive Angry”
“Seeking Justice”
“Trespass”
(A: All of them)
Who knew that a box-office hit could come from locking Kristen Wiig, Melissa McCarthy and Maya Rudolph in a small room with a bottle of cheap tequila and a Mr. Microphone? Yet for all the attention this trio (rightfully) received, the glory of “Bridesmaids” was in its ability to capture the peculiar folds of the übercompetitive girlie-girl (Rose Byrne) without falling into that rabbit hole where the excesses of modern wedding culture are treated as anything less than pathological. At the precise point where most bridal comedies abandon all skepticism for an earnest embrace of happily ever after, Byrne’s peppy perfectionism dissolves into a melancholy treatise on the miseries of marriage. This frees Wiig to focus on what’s really important (patching things up with her best friend) instead of chasing after flying bouquets. In other words, “Bridesmaids” is a movie that even a bridesmaid — that much-oppressed, unfortunate species — could love.
Sunday, November 27, 2011
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Red Bull’s Sebastian Vettel will be going for another little bit of history in Interlagos this weekend. He currently shares with Nigel Mansell, who achieved the feat in the 16-race 1992 season, the all-time record of 14 pole positions in a single season and is intent on going one better after matching the Englishman in Abu Dhabi.
The double champion said at Interlagos on Thursday that he is pleased his tyre failure in Abu Dhabi was not the result of driver error, but that the precise cause of it is still unknown."I think we will never find out 100 per cent what happened. But I think it’s important to understand I didn't do anything wrong,” he told reporters. “We will never find out what happened in the last race, but we didn't run over any debris. There wasn't anything I could have done differently. I don't like the word luck, but there wasn't anything I could have done differently to prevent the problem."Straight after the race I walked the track myself and I couldn't find anything. There were not any problems in Turn One. There were a lot of drivers using different lines. Pirelli haven’t found anything wrong in particular. And that was important.”Vettel said that even though Red Bull had tried to recreate the situation in the subsequent young drivers test with Jean-Eric Vergne, no further conclusions could be drawn."I had no chance to catch the car due to sudden deflation and that was that,” he concluded. “We obviously tested and replicated what happened, without the same result, but we have worked hard with Pirelli to try and understand it. It’s difficult to have a clear answer."The Autodromo Jose Carlos Pace was built on uneven ground and features several changes of elevation. It is unusual in running anti-clockwise, has 15 corners, 10 left and five right, and a mixture of fast straights, high-speed corners and slow hairpins. It’s a relatively high downforce track which tests engines but is easy on brakes, and is notoriously bumpy.“A great circuit and great atmosphere - the fans here are wild and it’s always a sell-out, so the atmosphere is always pretty special,” says race director Charlie Whiting. “There will be one DRS zone on the back straight. We think this will be enough, as the main straight usually gives a good enough opportunity to overtake anyway, so we don’t want to make it too easy.”There have been only minor changes to the circuit this year but the plans for 2012 call for a new pit entry and a bigger run-off area in the final corner. “This is a big job that will require removing a couple of permanent grandstands,” Whiting says. “But we’ve had assurances from the city of Sao Paulo that they’ll support this project.”For tickets and travel to 2011/12 Formula One races, click here.Copyright. 2011. Formula1.com All Rights Reserved

Marc Brackett never liked school. “I was always bored,” he says, “and I never felt like any of my teachers really cared. I can’t think of anybody that made me feel inspired.”
It’s a surprising complaint coming from a 42-year-old Yale research scientist with a 27-page CV and nearly $4 million in career funding. But Brackett knows that many kids feel the way he does about school, and he wants to do a complete emotional makeover of the nation’s schools.
At a time of contentious debate over how to reform schools to make teachers more effective and students more successful, “social emotional learning” may be a key part of the solution. An outgrowth of the emotional intelligence framework, popularized by Daniel Goleman, SEL teaches children how to identify and manage emotions and interactions. One of the central considerations of an evolved EQ—as proponents call an “emotional quotient”—is promoting empathy, a critical and often neglected quality in our increasingly interconnected, multicultural world.
Brackett quickly learned that developing empathy in kids requires working on their teachers first. Ten years ago, he and his colleagues introduced a curriculum about emotions in schools, asking teachers to implement it in their own classrooms. When he observed the lessons, he was struck by the discomfort many of the instructors showed in talking about emotion. “There was one teacher who took the list of feelings we had provided and crossed out all of what she perceived of as ‘negative’ emotions before asking the students to identify what they were feeling,” Brackett says. “We realized that if the teachers didn’t get it, the kids never would.”
So in 2005, Brackett and his team at the Health, Emotion, and Behavior Lab at Yale developed a training program—now called RULER—that instructs teachers in the skills, knowledge, and attitudes necessary for emotional health, then helps them shift the focus to children. The program focuses on five key skills: recognizing emotions in oneself and others, understanding the causes and consequences of emotions, labeling the full range of emotions, expressing emotions appropriately in different contexts, and regulating emotions effectively to foster relationships and achieve goals. Classrooms adopt “emotional literacy charters”—agreements that the whole community agrees to concerning interpersonal interactions—and kids use “mood meters” to identify the nature and intensity of their feelings and “blueprints” to chart out past experiences they might learn from.
But the curriculum doesn’t just exist as a separate subject— teachers are trained to integrate lessons in emotion into other subjects. A discussion about the protagonist in a young adult novel, can be an opportunity for students to practice reading emotional cues. History becomes not just a lesson about dates and battles, but a study in the ways in human emotion can be inspired or manipulated by charismatic leaders.
Now in use in hundreds of schools around the country, RULER has been measurably successful. Research indicates that the average student in a RULER-enriched classroom has 11 percent better grades and 17 percent fewer problems in school. Now, Brackett’s group is embarking on a 10-year study of the longer-term effects of the RULER curriculum on 200 students in New York City and New Hampshire high schools.
In one New York City school that serves a high number of special needs students, administrators attribute a 60 percent reduction in behavioral problems to the RULER approach. “One teacher used to go home with welts on her body because these kids were so emotionally challenged that they were kicking and hitting her,” Brackett says. “Since she’s been doing emotional literacy for two years, she’s had no incidents.”
Why the change? “She told me that she developed a lot more empathy for her students when she grew to understand that emotions didn’t only exist when they exploded,” Brackett says, “Kids in these classrooms now have permission to say that they’re shifting in to the red quadrant of the mood meter, rather than exploding.”
The idea of emphasizing emotional learning began in 1994, when Goleman created the Collaborative for Social and Emotional Learning. Now the group serves as a central body for programs like Brackett’s across the country and the world.
CASEL president Roger Weissberg, says that it takes “the three Ps” to make effective social and emotional learning a reality: policy, at both the state and federal level; principals’ buy-in; and professional development. CASEL is teaming up with other leaders in the field to conduct a study of SEL standards in all 50 states.
Despite substantial data indicating that SEL raises test scores, there are naysayers, particularly as school systems struggle with tight budgets. In a recent interview on a local television station in Connecticut, a newscaster said to Brackett: “The kids can’t read, but now they’ll learn how to whine really well.”
He chuckled, but responded in all seriousness: “You have to think about what motivates students to want to learn. If you know how emotions drive attention, learning, memory, and decision making you know that integrating [SEL] is going to enhance those areas.”
Interest in SEL spiked after Rutgers University student Tyler Clementi jumped from the George Washington Bridge in September 2010 after being bullied by his roommate. Clementi’s death was one of at least a half dozen suicides of gay teens around that time, prompting the creation of legislation, the hugely popular “It Gets Better,” campaign, and an uptick in interest and foundation funding to the nation’s various SEL programs.
But real change, Brackett says, will come from embracing SEL as a core part of the curriculum, not by parachuting into assemblies at schools trying to “solve bullying.” “Emotional literacy should be taught from womb to tomb, because the emotional challenges we meet vary as a function of our age,” he says. “You’re not going to teach a kindergartener not to alienate people, but you might point out that little Mario looks lonely. In middle school, it’s appropriate to start talking about alienation.”
Brackett says his own experiences being bored and bullied in school contributed to his interest in emotional learning. “I think back to being 12 years old, sitting in 7th grade, having kids push me, bang my fingers in the lockers, draw on me with a pen, and no one was doing anything about it,” he says. “I didn’t want anyone to stand up for me, I just didn’t want it to happen. We have to make people more empathic.”
Published in partnership with Dowser
Photo via (cc) Flickr user GerryT
Copyright.2011. Good.com All Rights Reserved

I'll leave it to those who know the facts to comment on the rights and wrongs of the Indycar race at Las Vegas on Sunday. Similarly, I won't claim to have known Dan Wheldon personally. The last time I saw him was in the paddock, chatting with friends during the Goodwood Festival of Speed. The Indy 500 had been less than a month before but you could see that Wheldon's engaging personality was attracting the fans just as much as fresh memories of that fairy-tale victory at the Brickyard.
It has been easy to understand why those who knew him have been deeply upset by the consequences of such a terrible accident. As I said, it's not for me to pass judgement on the circumstances. But the aftermath on Monday has provoked a few thoughts.
We woke to a bright, sunny morning in Korea, only to pick up our cell phones and watch with growing concern the tweets covering events thousands of miles and a day away in Nevada. By the time it came to leave Mokpo for the three-hour train ride to Seoul, everyone's worst fears had been confirmed and the flow of emotion had already begun. This was when I began to experience a downside of Twitter, the social media source that, by and large, can have such a positive and interesting effect on our daily lives.
It was clear that a number of correspondents were tweeting simply because it was the thing to be seen to be doing. I'm not talking about race fans looking for an outlet for their genuine sorrow and shock. I'm referring to those whose profile in the sport seemed to demand - in their minds, anyway - some sort of statement of grief even though they knew next to nothing about Wheldon and wouldn't know an Indycar if they tripped over one while checking out their mentions on Twitter.
Of course, they are entitled to have personal feelings: who wouldn't in the event of such a shocking accident? But I felt uncomfortable and increasingly irritated that some (particularly in F1) were adopting the role of spokesperson for a branch of the motor sport community when their credential history stretches all of five minutes.
Less surprising was the reaction of certain sections of the media, particularly the tabloid press in Britain. One newspaper carried a headline asking why Wheldon was better known in the USA than in his native Britain. The answer is simple; it's because that same paper had given but a handful of paragraphs to Wheldon's win at the IMS less than five months before.
Now, of course, the newspaper's website is awash with stories vicariously pursuing every detail, from Wheldon's latest tattoos to claims from former motor sport champions that Indycar racing is excessively dangerous. There have been a lot of high horses mounted to provide views driven by self -aggrandisement rather than reasoned and purposeful argument from people who really ought to know better.
This was in marked contrast to touching and sincere reactions that really stood out. My train journey to Seoul was in the company of a preoccupied Anthony Davidson, who had raced with Wheldon in karts since the age of eight. Davidson was knocked sideways by the news and yet he was able to gather his thoughts and give a measured and mature response to the interviews with BBC Radio 5 Live (for whom Davidson works as a F1 commentator) that were waiting on the other end of the phone when he arrived in Seoul.
Catching up with media reaction at the end of my 30-hour journey home, I came across a recording of WishTV's coverage of the Las Vegas race. Here we had Derek Daly dealing on camera with the news of Wheldon's passing as word came through; surely one of the most difficult and heart-rending things a journalist/commentator will ever have to do, particularly when talking about the loss of someone he knew and admired. Daly handled this unbearable task with the aplomb and courage we have come to expect from someone imbued with a sense of realism and an understanding of the needs of his profession at a time like this.
This weekend marks the 40th anniversary of the death of Jo Siffert. I mention it because I was a paying spectator at Brands Hatch for the non-championship F1 race on that Sunday afternoon. With the season having finished, the F1 teams were in relaxed mood on a wonderful autumnal day as they celebrated Jackie Stewart and Tyrrell's second World Championship. Siffert's fiery accident on the 15th lap shattered all of that, not just because his hard-charging style had made 'Seppi' popular with the fans but also because this horrible tragedy hit us when we were least expecting it.
The race was stopped and the empty feeling shared by me and my mates was exacerbated by having no means of expressing our sadness and respect. We hung around the paddock, wishing there was some way we could connect, however briefly, with those inside F1 as they silently packed up and headed for home. It was a truly terrible way to end the season and head into the vacuum of winter.
I thought of that while watching a clip of the touching five-lap salute carried out at Las Vegas; a lone piper playing in the background and race fans raising their caps in silent salute. Indycar racing may have made a few misjudgements in recent months, but they got this absolutely right. It put in perspective the faux grief and knee-jerk reactions that would inevitably follow.
Copyright 1988-2011, Inside F1, Inc. All Rights Reserved
As we
October 2, 2011 |
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James Atlas is the president of Atlas & Co., a publishing company. He is at work on a book about biography.
A BROCHURE arrives in the mail announcing this year’s winners of a prestigious fellowship to study abroad. The recipients are allotted a full page each, with a photo and a thick paragraph chronicling their achievements. It’s a select group to begin with, but even so, there doesn’t seem to be anyone on this list who hasn’t mastered at least one musical instrument; helped build a school or hospital in some foreign land; excelled at a sport; attained fluency in two or more languages; had both a major and a minor, sometimes two, usually in unrelated fields (philosophy and molecular science, mathematics and medieval literature); and yet found time — how do they have any? — to enjoy such arduous hobbies as mountain biking and white-water kayaking.
Let’s call this species Super Person.
Do we have some anomalous cohort here? Achievement freaks on a scale we haven’t seen before? Has our hysterically competitive, education-obsessed society finally outdone itself in its tireless efforts to produce winners whose abilities are literally off the charts? And if so, what convergence of historical, social and economic forces has been responsible for the emergence of this new type? Why does Super Person appear among us now?
Perhaps there’s an evolutionary cause, and these robust intellects reflect the leap in the physical development of humans that we ascribe to better diets, exercise and other forms of health-consciousness. (Stephen Jay Gould called this mechanism “extended scope.”) All you have to do is watch a long rally between Novak Djokovic and Rafael Nadal to recognize — if you’re old enough — how much faster the sport has become over the last half century.
The Super Person training for the college application wars is the academic version of the Super Person slugging it out on the tennis court. For wonks, Harvard Yard is Arthur Ashe Stadium.
Or maybe it’s a function of economics. Writing in a recent issue of The Chronicle of Higher Education, John Quiggin, a visiting professor of economics at Johns Hopkins University, argues that the Great Academic Leap Forward “is both a consequence of, and a contributor to, the growing inequality and polarization of American society.” Nearly 25 percent of the annual income in America goes to 1 percent of the population, creating an ever-wealthier upper class. Yet there’s no extra space being made in our best colleges for high-achieving students. “Taken together,” Professor Quiggin points out, “the Ivy League and other elite institutions educate something less than 1 percent of the U.S. college-age population” — a percentage that’s going to shrink further as the population of college-bound students continues to grow.
Preparing for Super Personhood begins early. “We see kids who’ve been training from an early age,” says Charles Bardes, chairman of admissions at Weill Cornell Medical College. “The bar has been set higher. You have to be at the top of the pile.”
And to clamber up there you need a head start. Thus the well-documented phenomenon of helicopter parents. In her influential book “Perfect Madness: Motherhood in the Age of Anxiety,” Judith Warner quotes a mom who gave up her career to be a full-time parent: “The children are the center of the household and everything goes around them. You want to do everything and be everything for them because this is your job now.” Bursting with pent-up energy, the mothers transfer their shelved career ambitions to their children. Since that book was published in 2005, the situation has only intensified. “One of my daughter’s classmates has a pilot’s license; 12-year-olds are taking calculus,” Ms. Warner said last week.
REMEMBER the Dumb Kid in your math class who couldn’t understand what a square root was? Gone. Vanished from the earth like the stegosaurus. If your child is at an elite school, there are no dumb kids in his or her math class — only smart and smarter.
Even the most brilliant students have to work harder now to make their nut. The competition for places in the upper tier of higher education is a lot tougher than it was in the 1960s and ’70s, when having good grades and SAT scores in the high 1200s was generally sufficient to get you into a respectable college. My contemporaries love to talk about how they would have been turned down by the schools they attended if they were applying today. This is no illusion: 19 percent of applicants were admitted to my Ivy League school for the class of ’71; 6 percent were admitted for the class of ’15.
Graduate and professional school statistics are just as daunting. Dr. Bardes told me that he routinely interviewed students with perfect or near perfect grade point averages and SATs — enough to fill the class several times over. Last year 5,722 applicants competed for 101 places at Weill Cornell; the odds of getting in there are even worse than those of getting your 3-year-old into a New York City private school.
“Applicant pools are stronger and deeper,” concurs Stephen Singer, the former director of college counseling at Horace Mann, the New York City private school renowned for its driven students. “It used to be that if you were editor of the paper or president of your class you could get in almost anywhere,” Mr. Singer says. “Now it’s ‘What did you do as president? How did you make the paper special?’ Kids file stories from Bosnia or El Salvador on their summer vacations.” Such students are known in college admissions circles as “pointy” — being well-rounded doesn’t cut it anymore. You need to have a spike in your achievement chart.
AND it doesn’t hurt to be from an exotic foreign land. “Colleges are reaching out to a broader range of people around the world today,” says William R. Fitzsimmons, Harvard’s dean of undergraduate admissions. “They go to Africa and China. If you want first-class mathematicians, try looking in Bulgaria.” In case they miss someone, many colleges now have recruiting agents in other countries who are paid commissions — by both the parents and the college — to help “place” those students. Globalization comes to the college admissions world.
Just as the concentration of wealth at the very top reduces wealth at the bottom, the aggressive hoarding of intellectual capital in the most sought-after colleges and universities has curtailed our investment in less prestigious institutions. There’s no curricular trickle-down effect. The educator E. D. Hirsch Jr. has pointed to a trend he labels the Matthew Effect, citing the Biblical injunction: “ ‘For unto every one that hath shall be given and he shall have abundance: but from him that hath not shall be taken away even that which he hath.’ We’ve lifted up rich kids beyond their competence,” he says, “while the verbal skills of the black underclass continue to decline.”
Affluent families can literally buy a better résumé. “In a bad economy, the demographic shift has the potential to reinforce a socio-economic gap,” says Todd Breyfogle, who oversaw the honors program at the University of Denver and is now director of seminars at the Aspen Institute. “Only those families who can help their students be more competitive will have students who can get into elite institutions.”
Schools are now giving out less scholarship money in the tight economy, favoring students who can pay full freight. Meanwhile, Super People jet off on Mom and Dad’s dime to archaeological digs in the Negev desert, when they might once have opted to be counselors in training at Camp Shewahmegon for the summer. And the privilege of laboring as a volunteer in a day care center in Guatemala — “service learning,” as it’s sometimes called — doesn’t come cheap once you tote up the air fare, room and board.
Colleges collude in the push to upgrade talent. “It’s a huge industry,” Mr. Breyfogle says. “Harvard has a whole office devoted to preparing applicants for the Rhodes and Marshall scholarships.” At its worst, this kind of coaching results in candidates who are treated as what he calls “management projects.”
“They’ve been put in the hands of makeover experts who have a stake in making them look better than they are, leveraging their achievement,” Mr. Breyfogle says.
“We are concerned about that,” confirmed Jeff Rickey, head of admissions at St. Lawrence University, whom I tracked down at the National Association for College Admission Counseling conference in New Orleans. “If they joined a club, when did they join it? Maybe they play 15 instruments, but when they list them out, the amount of time they spent on each isn’t that much.” Mr. Breyfogle is also on the alert for résumé stuffing. “They’ve worked at an orphanage in Katmandu, but it turns out it was over Christmas break,” he gave as an example. “It’s easier to be amazing now.” All you need is money.
O.K., so maybe some Super People aren’t so Super. But the fact is, they do a lot of good. When I read about a student who has worked at a mental health clinic in Bolivia or founded a farmers’ market in a low-income neighborhood in Washington, I’m impressed. (All we did in college, I seem to recall, is smoke dope and play pool.)
And it’s not as if the Super People get to slack off when they graduate. There’s too much competition.
In the end, the whole idea of Super Person is kind of exhausting to contemplate. All that striving, working, doing. A line of Whitman’s quoted by Dr. Bardes in our conversation has stayed with me: “I loaf and invite my soul.”
Isn’t that where the real work gets done?
gather together in solidarity to express a feeling of mass injustice, we must not lose sight of what brought us together. We write so that all people who feel wronged by the corporate forces of the world can know that we are your allies.
As one people, united, we acknowledge the reality: that the future of the human race requires the cooperation of its members; that our system must protect our rights, and upon corruption of that system, it is up to the individuals to protect their own rights, and those of their neighbors; that a democratic government derives its just power from the people, but corporations do not seek consent to extract wealth from the people and the Earth; and that no true democracy is attainable when the process is determined by economic power. We come to you at a time when corporations, which place profit over people, self-interest over justice, and oppression over equality, run our governments. We have peaceably assembled here, as is our right, to let these facts be known.
They have taken our houses through an illegal foreclosure process, despite not having the original mortgage.
They have taken bailouts from taxpayers with impunity, and continue to give Executives exorbitant bonuses.
They have perpetuated inequality and discrimination in the workplace based on age, the color of one’s skin, sex, gender identity and sexual orientation.
They have poisoned the food supply through negligence, and undermined the farming system through monopolization.
They have profited off of the torture, confinement, and cruel treatment of countless nonhuman animals, and actively hide these practices.
They have continuously sought to strip employees of the right to negotiate for better pay and safer working conditions.
They have held students hostage with tens of thousands of dollars of debt on education, which is itself a human right.
They have consistently outsourced labor and used that outsourcing as leverage to cut workers’ healthcare and pay.
They have influenced the courts to achieve the same rights as people, with none of the culpability or responsibility.
They have spent millions of dollars on legal teams that look for ways to get them out of contracts in regards to health insurance.
They have sold our privacy as a commodity.
They have used the military and police force to prevent freedom of the press.
They have deliberately declined to recall faulty products endangering lives in pursuit of profit.
They determine economic policy, despite the catastrophic failures their policies have produced and continue to produce.
They have donated large sums of money to politicians supposed to be regulating them.
They continue to block alternate forms of energy to keep us dependent on oil.
They continue to block generic forms of medicine that could save people’s lives in order to protect investments that have already turned a substantive profit.
They have purposely covered up oil spills, accidents, faulty bookkeeping, and inactive ingredients in pursuit of profit.
They purposefully keep people misinformed and fearful through their control of the media.
They have accepted private contracts to murder prisoners even when presented with serious doubts about their guilt.
They have perpetuated colonialism at home and abroad.
They have participated in the torture and murder of innocent civilians overseas.
They continue to create weapons of mass destruction in order to receive government contracts.*
To the people of the world,
We, the New York City General Assembly occupying Wall Street in Liberty Square, urge you to assert your power.
Exercise your right to peaceably assemble; occupy public space; create a process to address the problems we face, and generate solutions accessible to everyone.
To all communities that take action and form groups in the spirit of direct democracy, we offer support, documentation, and all of the resources at our disposal.
Join us and make your voices heard!
*These grievances are not all-inclusive.
Long post from Deck.ly 18 hours ago View on Twitter
First Posted: 03/11/2012 7:01 pm Updated: 03/14/2012 12:23 pm